Shirley Valentine Offered This Talented Actress a Role to Equal Her Talent. She Seized It with Elegance and Glee

In the seventies, this gifted performer rose as a clever, humorous, and cherubically sexy actress. She grew into a well-known figure on either side of the ocean thanks to the smash hit UK television series Upstairs, Downstairs, which was the equivalent of Downton Abbey back then.

Her role was the character Sarah, a spirited yet sensitive parlour maid with a dodgy past. Her character had a connection with the good-looking driver Thomas, played by Collins’s off-screen partner, John Alderton. It was a TV marriage that the public loved, continuing into follow-up programs like Thomas and Sarah and No, Honestly.

Her Moment of Greatness: The Shirley Valentine Film

Yet the highlight of her career came on the silver screen as the character Shirley Valentine. This freeing, cheeky yet charming story set the stage for later hits like the Calendar Girls film and the Mamma Mia series. It was a cheerful, funny, bright film with a wonderful role for a seasoned performer, broaching the topic of women's desires that did not conform by traditional male perspectives about demure youth.

Her portrayal of Shirley anticipated the growing conversation about midlife changes and ladies who decline to being overlooked.

Originating on Stage to Screen

The story began from Collins playing the main character of a lifetime in the writer Willy Russell's stage show from 1986: the play Shirley Valentine, the longing and surprisingly passionate relatable female protagonist of an fantasy comedy about adulthood.

Collins became the celebrity of London theater and the Broadway stage and was then triumphantly selected in the highly successful movie adaptation. This very much paralleled the alike transition from theater to film of Julie Walters in Russell’s 1980 play, Educating Rita.

The Plot of Shirley's Journey

Collins’s Shirley is a realistic scouse housewife who is tired with life in her 40s in a dull, unimaginative nation with boring, predictable individuals. So when she wins the possibility at a free holiday in the Greek islands, she takes it with both hands and – to the surprise of the unexciting English traveler she’s accompanied by – stays on once it’s finished to encounter the authentic life outside the resort area, which means a delightfully passionate adventure with the roguish native, the character Costas, acted with an outrageous facial hair and dialect by actor Tom Conti.

Sassy, open Shirley is always addressing the audience to inform us what she’s pondering. It got huge chuckles in movie houses all over the Britain when her love interest tells her that he loves her skin lines and she comments to us: “Don't men talk a lot of rubbish?”

Subsequent Roles

After Valentine, Pauline Collins continued to have a vibrant professional life on the theater and on TV, including appearances on the Doctor Who series, but she was not as supported by the movies where there seemed not to be a author in the caliber of Russell who could give her a true main character.

She was in Roland Joffé’s adequate set in Calcutta drama, the movie City of Joy, in 1992 and played the lead as a British missionary and captive in wartime Japan in filmmaker Bruce Beresford's the film Paradise Road in 1997. In director Rodrigo García's transgender story, the film from 2011 Albert Nobbs, Collins came back, in a manner, to the servant-and-master environment in which she played a below-stairs housekeeper.

But she found herself often chosen in patronizing and overly sentimental elderly entertainments about old people, which were unfitting for her skills, such as nursing home stories like the film Mrs Caldicot's Cabbage War and the movie Quartet, as well as poor set in France film the movie The Time of Their Lives with actress Joan Collins.

A Minor Role in Comedy

Filmmaker Woody Allen offered her a genuine humorous part (though a small one) in his You Will Meet a Tall Dark Stranger, in which she played the shady psychic hinted at by the film's name.

Yet on film, her performance as Shirley gave her a extraordinary time to shine.

Michael Hunter
Michael Hunter

A tech enthusiast and journalist with over a decade of experience covering emerging technologies and digital transformations.