“Well, the situation is pretty dire here. The guidance we offer all of our clients to invest all their resources into tinned provisions and hunting rifles.” This piece of shrewd guidance comes from the Brain Gremlin – a scientifically altered, speaking, spectacled member of the slick creature crowd that infests Manhattan’s high-tech Clamp Tower skyscraper in filmmaker Joe Dante’s unhinged continuation Gremlins 2: The New Batch. At first glance, it’s merely an financial suggestion from one monster to another. But, oddly enough, it’s also remarkably sound life guidance. Truly, listen to my reasoning.
When things go bad, the most counterproductive action you can do is take things too seriously. The Brain Gremlin understands this. In fact, most of the fang-bearing creatures that inhabit Dante’s wild 1990 film (arguably his best) possess the same sly, self-aware comic sensibility regarding the indistinct border separating the mundane and absolute bedlam. It’s a particular aspect of Gremlins 2: The New Batch that ensures my return – and the older I get, it’s the message that strikes the deepest chord.
Of course, my connection with this movie didn’t start on such an philosophical plane. In my youth, we were limited to a few battered VHS tapes at home. Part of that group were Gremlins and its second chapter, the latter housed in a thick former-rental sleeve probably bought from an off-brand video shop and featuring grimacing beasts on its tattered front. I was instantly captivated and these films quickly proceeded embedding themselves inside my tiny, impressionable mind. After that point, they became an practically routine part of my youthful watching schedule.
Dante’s first film typically gets all the praise, thanks mostly because of its legacy as a moderately spooky festive favorite – and don’t get me wrong, I’ve watched Gremlins on countless occasions. Nevertheless, its follow-up rarely gets the same level of elevated esteem, which feels a travesty. As a kid, I’d invariably jump at the prospect to watch Gremlins 2. During sunny school summer breaks, I’d retreat into the house and play it. When I acquired my personal TV-VHS combo unit, it stayed in constant rotation in my bedroom. Gradually, it etched itself permanently in my mental framework. If my parents observed this fixation, they appeared unbothered.
As I got older, new insights enhanced multiple watches, elevating the fun of watching small emerald creatures gleefully trash a New York high-rise. I learned the future-focused development mogul and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on the later-to-be-president Donald Trump, with his auburn-haired worker Marla (Haviland Morris) referencing his second wife Marla Maples. Thankfully, Clamp demonstrates more humanity than his real-life counterpart.
The “end of civilisation” video Clamp plays during the height of creature carnage? I discovered it was modeled after a actual “Doomsday” video commissioned by the CNN boss Ted Turner as a contingency for the world really ended. I noticed how Dante took extra pains to film alternate cuts of a self-aware scene where Gremlins hijack the exact movie you are viewing. A version for theaters, a separate one for tape and broadcast, each delivering a smirking slice of self-referential entertainment sorcery before the term was even a thing.
While it was creature designer Rick Baker’s wonderfully grotesque creatures that caught my eye as a child, this deeper gold maintained my fascination as an adult. Ultimately, I even interviewed Dante about it myself and he had no qualms revealing to me he made the movie with the direct intention of mocking those who loved its silly-yet-sincere predecessor and wanted more. “We were going to make fun of the fact you came to see it,” he happily revealed. This cartoonish rebelliousness and commitment to not take his sequel as seriously as his Warner Bros bosses evidently expected, only increased my affection for it.
When I endured a sudden family bereavement earlier this year, I was astonished to realize that, during my heightest mourning, all I wanted to do was sit and watch Gremlins 2: The New Batch. Odd, no? Possibly not. The comforting familiarity it provided was essential to thin out my mind’s sadness sludge – but the insights it had given me as an adult were equally valuable.
Like Gremlins tearing apart a genetics laboratory, there’s some things in life you just can’t control. Dante knows it. The Brain Gremlin agrees completely. Sometimes, you have to follow their example: embrace the chaos, put everything you’ve got into tinned provisions and hunting rifles and try not to view the world with undue solemnity.
It’s robust worldly wisdom from a very unlikely source – and it’s the reason Gremlins 2: The New Batch will forever remain my feelgood film.
A tech enthusiast and journalist with over a decade of experience covering emerging technologies and digital transformations.
Michael Hunter
Michael Hunter
Michael Hunter
Michael Hunter
Michael Hunter